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1
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Wenceslaus Hollar (Czech, 1607-1677) Album of One Hundred Etchings Including The Four Seasons: The three quarter length figures (P610-613), The Triumph of Death, 30 plates (P233-262), Portrait of Pietro Aretino after Titian (P1348), Aula Veneris, second of four states, title and 31 plates (P1805), Coursing Fallow Deer (P2038), Charles II after Van Dyck, fifth of seven states, (P1442), set of eight London views including the Royal Exchange and Piazza Covent Garden (P907-910, 1037-1040), 3 Chinese subjects, various portraits, 5 after Holbein, on laid and wove papers, within dark red tooled leather binding, 375 x 275mm (14 3/4 x 10 3/4in) Vol
|
£960
€1,120
US$ 1,449
|
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2
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A Collection Engraved Portraits An extensive collection, comprising largely 16th and 17th century works, with some 18th century sitters, including twelve by J W Delff, four large format pieces, the remainder small format, others by Nanteuil, Bloteling, Meyssens, Edelinck, Loggan, de Pass and White, various proofs and states collection unframed
|
£720
€840
US$ 1,087
|
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8
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Giovanni Battista Piranesi (Italian, 1720-1778) Veduta del Ponte e Castello Sant'Angelo Etching, 1754, from Vedute di Roma, second state of six, with the address and price lower right, on thick wove, 375 x 580mm (14 3/4 x 22 7/8in)(PL)
|
£900
€1,050
US$ 1,358
|
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10
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A vellum bound album of views of Rome Including the complete set of fifty plates of 'Vestigi delle Antichità di Roma, Tivoli, Pozzuoli et altri luochi' by Markus Sadeler, c1660, 'Sette chiese di Roma', designs for palaces and floorplans by Pietro Ferrerio, views of villas and gardens in Frascati and Tivoli, a plan for the 1655 conclave in the Vatican, obelisks and columns by Louis Rouhier, fountains, statues of Roman gods, mythological subjects by Matteo Piccione, on laid, published by Giacomo Rossi, 275 x 415mm (10 7/8 x 16 3/8in)(Vol)
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£3,360
€3,920
US$ 5,073
|
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12
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Albrecht Dürer (German, 1471-1528) Crucifixion, from the Small Passion Woodcut, on laid with thread margins, a later printing, (after the Italian edition of 1612), without text, with 2 gaps in the upper border, 127 x 98mm (5 x 3 7/8in)(PL)
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£480
€560
US$ 724
|
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14
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Albrecht Dürer (German, 1471-1528) Annunciation Woodcut, from the book edition of 1511, on laid, with the flower and triangle watermark and a gap in the right and lower borders, 298 x 211mm(11 3/4 x 8 1/4in)(PL)
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£900
€1,050
US$ 1,358
|
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15
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Albrecht Dürer (German, 1471-1528) Martyrdom of St Catherine Woodcut, c1498, on thick wove, with narrow margins, possibly a meder d/e impression, with the gap in the mountain top left and three small gaps lower right, with some pen and ink additions, 392 x 284mm (15 3/8 x 11 1/4in)(PL)
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£1,140
€1,330
US$ 1,721
|
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16
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Albrecht Dürer (German, 1471-1528) The Beheading of St John the Baptist Woodcut, 1510, a good impression, Meder C-G, apparently printing with nine birds, on laid, without a watermark; 197 x 132mm (7 3/4 x 5 1/4in)(SH). Together with a copy of "St Eustace" (B57), trimmed into the image and in poor condition and a group of Old Master prints including eleven etchings by Duflos from "Environs of Rome", others by and after Girard, Carracci, Cable, Greuse and two by Norblin de la Gourdaine. collection unframed
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£540
€630
US$ 815
|
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17
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Lucas van Leyden (Dutch, 1494-1533) A Small Collection Engravings, "Ornamental Compositions" B.161 & 162, "An Escutheon Supported by Two Nude Children" B.166 and "An Escutcheon Supported by Winged Genii" Together with four others by Georg Pencz, Bartsch 78 - 81, good impressions of each, on laid. unframed 8
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£720
€840
US$ 1,087
|
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18
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Lucas van Leyden (Dutch, 1494-1533) The Poet Virgil Suspended in a Basket Engraving, 1525, a fair impression, on thin laid, Together with a "Athena" B.161 and "Esther before Ahasuerus" B.31 by the same hand. 3 unframed
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£1,800
€2,100
US$ 2,717
|
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19
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Jacques Callot (French, 1592-1635) A collection of Etchings Including 'Les Tableaux de Rome'(L16-45), 'Les Miracles de N.D de l'Annonciade de Florence' (L78-119)(2 plates missing), 'Lux Claustri, La Lumière du Cloître' (L599-625), 'La Vie de la Mère di Dieu représentée par des Emblèmes' (L626-652), 'Les Images des Saints' (L807-1295)(incomplete), plus four portraits of Callot, two by Van Dyck, the others by A.Bosse and M.Lasne, on laid, 235 x 165mm (9 1/4 x 6 1/2)(SH)(and smaller) Coll unframed
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£1,080
€1,260
US$ 1,630
|
|
21
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Descent from the Cross Etching with burin, 1633, fifth and final state, with the publisher's details burnished out, on thick laid, with small margins, 528 x 405mm (20 3/4 x 15 7/8in)(PL)(unframed)
|
£2,280
€2,660
US$ 3,442
|
|
22
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Stoning of St Stephen Etching, 1635, a good impression of the second and final state, with the diagonal rays visible above the saint's head, on laid, with narrow margins, 97 x 85mm (3 6/8 x 3 3/8in)(PL) unframed
|
£720
€840
US$ 1,087
|
|
23
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Joseph and Potipher's Wife Etching, 1634, a good impression of Nowell-Usticke's fourth state of five, with diagonal lines on the oval of the bedpost, on thick laid, with narrow margins, 91 x 116mm (3 5/8 x 4 1/2in)(PL) unframed
|
£1,380
€1,610
US$ 2,083
|
|
25
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Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Man in an arbour Etching, 1642, a delicate impression of this uncommon print, on laid, with partial watermark, 72 x 57mm (2 7/8 x 2 1/2in)(PL)
|
£2,880
€3,360
US$ 4,348
|
|
27
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After Edgar Degas Dancers practising at the barre from Quinze Lithographies Lithograph, C.1888-89, by George William Thornley, printed in yellowish brown, on cream chine appliqué mounted on a greenish blue backing sheet, from the edition of 100 (plus 25 proofs), with Thornley's lithographed signature, printed by Atelier Becquet, Paris, published by Boussod-Valadon, Paris, 235 x 275mm (9 1/4 x 10 7/8in)(I)
|
£660
€770
US$ 996
|
|
28
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After Edgar Degas La Classe de Ballet from Quinze Lithograhies Lithograph, C.1888-89, by George William Thornley, printed in reddish brown, on cream chine appliqué mounted on a greenish blue backing sheet, from the edition of 100 (plus 25 proofs), with Thornley's lithographed signature, printed by Atelier Becquet, Paris, published by Boussod-Valadon, Paris, 202 x 263mm (8 x 10 3/8in)(I)
|
£600
€700
US$ 905
|
|
29
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After Edgar Degas Danseuse Près de la Poele from Quinze Lithographies Lithograph, C.1888-89, by George William Thornley, printed in purple/brown, on cream chine appliqué mounted on a greenish blue backing sheet, from the edition of 100 (plus 25 proofs), with Thornley's lithographed signature, printed by Atelier Becquet, Paris, published by Boussod-Valadon, Paris, 330 x 245mm (13 x 9 2/3in)(I)
|
£600
€700
US$ 905
|
|
30
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Pierre Bonnard (French, 1867-1947) Coin de rue Lithograph in colours, 1899, on wove, signed in pencil, from Quelques aspects de la vie de Paris, printed in an edition of 100 of which only a few were signed, 270 x 350mm (10 5/8 x 13 3/4in)(I)
|
£2,160
€2,520
US$ 3,261
|
|
34
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Paul Gauguin (French, 1848-1903) Te Arii Vahiné Woodcut, 1898, on tissue thin japan, signed in the plate upper left, number 14 out of 30, 162 x 282mm (6 3/8 x 11 1/8)(B) unframed
|
£6,600
€7,701
US$ 9,965
|
|
36
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Edouard Manet (French, 1832-1883) L'Enfant a l'Épée, tourné à gauche Etching and aquatint printed in black, 1862, on cream laid, with wide margins, the third state of four, the edition was approximately 25, published by Cadart, Paris, 320 x 238mm; (12 5/8 x 9 3/8in)(PL) unframed
|
£3,120
€3,640
US$ 4,710
|
|
37
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Paul Cézanne (French, 1839-1906) Tête de Jeune Fille Etching, 1873, printed in sepia, on laid, with wide margins, 133mm x 107mm (5 1/8in x 4 1/4in)(PL) unframed
|
£1,020
€1,190
US$ 1,540
|
|
39
|
Eric Gill (British, 1882-1940) A Small Collection Comprising: The Lust of Soloman P.329, Snake with Phallic Head P.651, a proof impression of another similar, one of an architect depicting a cherub with a pair of dividers, measuring plans for a building, each signed and numbered in pencil, with an unsigned proof 6 1 framed
|
£1,020
€1,190
US$ 1,540
|
|
40
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Edward Julius Detmold (British, 1883-1957) Rooster Etching, 1910, on wove, signed in pencil, together with a Robert S. Austin engraving 'Bethlehem', Auguste Brouet 'L'Homme', four etchings by Constance Copeman, an Edward Gordon Craig wood-engraving, an E.Carter Preston woodcut, six etchings by Lettice Sandford and five others by unknown artists (collection) 20 unframed
|
£480
€560
US$ 724
|
|
41
|
Walter Richard Sickert A.R.A. (British, 1860-1942) Venice, The Rialto and the Palazzo dei Camerlenghi Etching and engraving, c1902, on laid, fourth state of eight, with vertical lines on the left part of the wall, inscribed 'Sickert' in pencil lower right and below in dark ink 'Sickert (state) Rialto & Po Camerlenghi', 165 x 265mm (6 1/2 x 10 3/8in)(PL)
|
£1,680
€1,960
US$ 2,536
|
|
42
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Frank Short (British, 1857-1945) A collection Three mezzotints from the Liber Studiorum after Turner, each signed in pencil, on wove, four others after Turner, three of which signed in pencil, Walberswick, 1890, etching, signed in pencil, on laid, and one other, unsigned, various sizes 9 unframed
|
£132
€154
US$ 199
|
|
43
|
Stephen Gooden (British, 1892-1955) A collection Twelve line engravings, 1935-39, on laid, each signed in pencil, dated variously, including various works from Aesop's Fables and The Rider on the Pale Horse (collection) 12 unframed
|
£1,560
€1,820
US$ 2,355
|
|
44
|
Samuel Palmer (British, 1805-1881) Opening the Fold, or Early Morning Etching, 1880, sixth state of ten, with the publication line and the remarque of flowers removed, on wove, signed in pencil, 164 x 230mm (6 1/2 x 9 1/8in)(PL)
|
£2,400
€2,800
US$ 3,623
|
|
45
|
Graham Sutherland O.M. (British, 1903-1980) Wood Interior Etching, 1929/30, on cream laid, signed and numbered 42/60 in pencil, published by Twenty One Gallery, London, 120 x 160mm (4 3/4 x 6 1/4in)(PL)
|
£3,120
€3,640
US$ 4,710
|
|
46
|
Robin Tanner (British, 1904-1988) Memorial Portfolio The complete set of 12 etchings, 1989, each numbered 45/100 in pencil, on Fabriano paper, with wide margins, with the title page numbered 45, introduction by Merivale Editions and a booklet by John Russell Taylor, printed by Jeremy Blighton and Anthony Dyson, published by Merivale Editions, 462 x 379mm (18 1/8 x 16 1/8in)(SH); 495 x 410mm (19 1/2 x 16 1/8in) Folio
|
£2,040
€2,380
US$ 3,080
|
|
47
|
Paul Nash (British, 1889-1946) Landscape with Megaliths Colour lithograph, 1937, on thin wove, signed in pencil, published by Contemporary Lithographs, 520 x 765mm (20 1/2 x 29 7/8in)(unframed)
|
£936
€1,092
US$ 1,413
|
|
48
|
Paul Nash (British, 1889-1946) Winter wood Woodcut, 1921, on japan, signed, titled, dated and annotated 'Hilda for Christmas 1941, from edition 50' in pencil, 145 x 112mm (5 3/4 x 4 3/8in)(I)
|
£1,440
€1,680
US$ 2,174
|
|
50
|
Stanley William Hayter (British, 1901-1988) Guerriers The original copper plate, 1953, 482 x 342mm (19 x 13 1/2in)(PL)
|
£1,920
€2,240
US$ 2,898
|
|
51
|
Stanley William Hayter (British, 1901-1988) Nine Engravings The complete portfolio of nine engravings, 1933-1946 printed in 1974, each signed, titled and dated in pencil, numbered 17/100, with title-page, text and justification, this copy numbered 17, on Barcham Green handmade wove paper, with full margins, the plates loose in the original green linen covered portfolio with title printed on the uppers, overall size 415 x 320mm (16 3/8 X 12 5/8in) Folio
|
£2,400
€2,800
US$ 3,623
|
|
52
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Sunday Evening Etching, 1924, on wove, with some pencil additions, signed in pencil, 250 x 353mm (9 7/8 x 13 7/8in)(PL)
|
£960
€1,120
US$ 1,449
|
|
53
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) From a Paris window Etching, 1920-21, on cream laid, signed in pencil, 200 x 150mm (7 7/8 x 5 7/8in)(PL)
|
£3,840
€4,481
US$ 5,797
|
|
54
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Nerves of an Army Drypoint, printed with tone, 1918, a rich impression, on laid, signed in pencil by the artist, numbered 25/100, titled, described and dated by another hand in pencil along the lower sheet edge, published in a special edition of the "Great War, Fourth Year" by J E Crawford Flitch, 200 x 142mm (7 7/8 x 5 5/8in)(PL)
|
£12,000
€14,003
US$ 18,118
|
|
55
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) Now Back the Bayonets Lithographic poster, printed in red, black and yellow, on thin wove, printed by Dangerfield Printing Co. Ltd, London, 750 x 480mm (29 1/2 x 18 7/8in)(SH)
|
£18,000
€21,004
US$ 27,178
|
|
56
|
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946) The Wave Lithograph, 1917, a rare impression, printed in colours, on laid, signed and dated in pencil, 345 x 428mm (13 1/2 x 16 3/4in)(I) unframed
|
£21,600
€25,205
US$ 32,613
|
|
57
|
Sybil Andrews, CPE (British/Canadian, 1898-1993) Steeplechase Linocut, 1930, printed in Chinese orange, alizarin purple madder and Prussian blue, on buff oriental laid tissue, signed, numbered 22/50 in pencil upper left, 175 x 265mm (8 3/4 x 13 3/4in)(I)
|
£12,000
€14,003
US$ 18,118
|
|
58
|
Leonard Beaumont (British, 1891-1986) The Rush Hour Linocut, 1934, printed in colours, on thin laid japan, the full sheet, signed and titled in pencil, 194 x 283mm (7 5/8 x 11 1/8in)(I)
|
£4,800
€5,601
US$ 7,247
|
|
59
|
Sybil Andrews, CPE (British/Canadian, 1898-1993) Coffee Bar Linocut,1952, printed in yellow ochre, spectrum red, premanent blue, black, on cream japan, signed, titled and numbered 32/60 in pencil, 205 x 230mm (8 1/8 x 9 1/8in)(I) unframed
|
£7,200
€8,401
US$ 10,871
|
|
60
|
Edith Lawrence (British, 1890-1973) Haut Isle Linocut, in colours, on tissue thin japan, signed, titled and numbered 8/50 in pencil, 192 x 250mm (7 5/8 x 9 7/8in)(B), together with four linocuts of reclining nudes, two in black, two in brown, on japan, possibly by Cecil Wotton Toovey, 75 x 240mm (I) 5 unframed
|
£1,680
€1,960
US$ 2,536
|
|
61
|
Sybil Andrews, CPE (British/Canadian, 1898-1993) Tillers of the Soil Linocut, 1934, printed from four blocks in Chinese orange, alizarin crimson, permanent blue and Chinese blue, on buff oriental laid tissue, signed, titled and numbered 1/60 in pencil; 266 x 344mm (10 1/2 x 13 1/2in)(B)
|
£10,800
€12,602
US$ 16,306
|
|
62
|
Jacques Villon (French, 1875-1963) Les Saltimbanques Aquatint in colours, 1922, after Pablo Picasso, on Arches, signed by Picasso and numbered 31/200 in pencil, published by Galerie Bernheim-Jeune, Paris, 595 x 425mm (23 3/8 x 16 3/4in)(PL)
|
£8,400
€9,802
US$ 12,683
|
|
63
|
After Pablo Picasso (Spanish, 1881-1973) Grande Maternité Lithograph in colours, 1963, on Arches, signed and numbered 56/200 in pencil, published by Yamet Fine Art, New York, 790 x 600mm, (31 1/4 x 23 3/4in)(I)
|
£12,000
€14,003
US$ 18,118
|
|
64
|
Pablo Picasso (Spanish, 1881-1973) Honoré de Balzac, Le Chef d'Oeuvre Inconnu The complete set of 13 etchings, 1931, on japan paper, copy 30 of a total edition of 340, (there was an edition of 65 on japan, 240 on Rives and 35 HC), justification page signed in bistre by the artist and with the monogram of the publisher, with text in French, table of contents, 16 pages of reproductions of drawings produced by the artist in 1924, plus 4 etchings from the series on BFK Rives paper (plates II, VII, X, XII), all the etchings loose as issued, within Montval paper covers, with the title and a wood engraving by Georges Aubert after a design by Picasso on the front and another wood engraving on the back, etchings printed by Louis Fort, published by Amboise Vollard, Paris, 194 x 278mm (7 5/8 x 10 7/8in)(PL), 335 x 265mm (13 1/4 x 10 1/2in) Vol
|
£11,400
€13,302
US$ 17,212
|
|
66
|
Pablo Picasso (Spanish, 1881-1973) Buste de femme à la chaise The very rare etching, aquatint and drypoint, 1938, a richly inked impression, Baer's state VIII (of X), on Montval paper with the Picasso watermark, there were four proofs of which only one according to Baer has the Picasso watermarked paper, ex coll. Marina Picasso with the rubber stamp and inventory number verso, 248 x 139mm (9 3/4 x 5 1/2in)(PL) unframed
|
£9,600
€11,202
US$ 14,494
|
|
67
|
Pablo Picasso (Spanish, 1881-1973) Femme Assise en Pyjama de Plage Linocut, 1962, printed in brown and tan, on Arches, with wide margins, printed by Arnéra, signed in pencil and inscribed "Epreuve d'artiste", from the deluxe edition of Jacques Prévert's book "Diurnes", published by Berggruen, Paris, 390 x 298mm (15 3/8 x 11 3/4in)(B); 545 x 430mm (21 1/2 x 17in)(SH) unframed
|
£7,440
€8,681
US$ 11,233
|
|
68
|
Pablo Picasso (Spanish, 1881-1973) Le Repos du Sculpteur III Etching, 1933, from the Vollard Suite, on Montval laid, signed in pencil, from the edition of 250, 193 x 267mm (7 1/2 x 10 1/2in)(PL)
|
£6,600
€7,701
US$ 9,965
|
|
70
|
Pablo Picasso (Spanish, 1881-1973) Clin d'Oeil au bain turc: Femmes prenant le Soleil à la Piscine, from Séries 347 Etching, 1968, on Rives, with wide margins, signed and numbered 32/50 in pencil, published by Galerie L.Leiris, Paris, 279 x 388mm (11 x 15 1/4in)(PL)
|
£9,000
€10,502
US$ 13,589
|
|
71
|
Pablo Picasso (Spanish, 1881-1973) Four Faces Turned pitcher, 1959, white earthenware clay, decoration in oxides on white enamel, brown and black, with the 'Edition Picasso' and Madoura Plein Feu' stamps on the base, numbered 98/300 and inscribed 'Picasso Edition Madoura' in black pen, 235mm (high)
|
£3,360
€3,920
US$ 5,073
|
|
73
|
Pablo Picasso (Spanish, 1881-1973) Bacchanale au Hibou et au jeune homme masqué Etching, 1955, a proof impression, bearing a pencil signature, on laid paper with a Bull watermark, aside from the edition of fifty published by Louise Leiris posthumously in 1980; 257 x 305mm (10 1/4 x 12in)(PL) unframed
|
£2,400
€2,800
US$ 3,623
|
|
77
|
Antoni Clavé (Spanish, 1913-2005) Woman with birds Lithograph, printed in colours, on wove, signed and inscribed XLIII/LX in pencil, 560 x 380mm (22 x 15in)(SH)
|
£540
€630
US$ 815
|
|
78
|
Massimo Campigli (Italian, 1895-1971) Woman at a window Lithograph, printed in colours, on wove, signed and inscribed XXV/LX in pencil, 560 x 383mm (22 x 15 1/5in)(SH) unframed
|
£540
€630
US$ 815
|
|
81
|
Henri Matisse (French, 1869-1954) Eventail de Madame Mallarmé Etching, 1932, on wove, from Poésies de Mallarmé, the edition was 95, 330 x 250 mm (13 x 9 7/8in)(SH) unframed
|
£1,440
€1,680
US$ 2,174
|
|
82
|
After Fernand Léger (French, 1881-1955) L'Oiseau Rouge dans le Bois Aquatint, 1953, in colours, on BFK Rives, signed by Léger in blue pen and ink, numbered 26/125 in pencil, printed by Robert Lacourière, published by M. Lacourière, Paris, 455 x 640mm (17 7/8 x 25 2/8in)(PL)
|
£1,440
€1,680
US$ 2,174
|
|
84
|
Fernand Léger (French, 1881-1955) Composition aux deux oiseaux Lithograph in colours, 1955, on wove, signed and numbered 108/300 in pencil, with the Musee Léger blindstamp,(564 x 396mm, (22 1/4 x 15 5/8in)(I) unframed
|
£1,200
€1,400
US$ 1,811
|
|
90
|
After Marc Chagall (Russian/French, 1887-1985) Sirene with Pine, from Nice and the Côte d'Azur, by Charles Sorlier Lithograph in colours, 1967, on Arches, signed in pencil, numbered 101/150 (there were also 75 in Roman numerals), with full margins, 637 x 460mm (25 1/8 x 18 1/8in)(I)
|
£7,200
€8,401
US$ 10,871
|
|
91
|
Giorgio de Chirico (Italian, 1888-1978) I figli dell'Arconte Lithograph, 1948, on Fabriano, signed and numbered 5/94 in pencil, published by Carlo Bastetti, Rome, 285 x 435mm (11x 17in)(I) unframed
|
£960
€1,120
US$ 1,449
|
|
93
|
Salvador Dali (Spanish, 1904-1989) Maternity The Daum glass paste and bronze sculpture, 1978, with the stamped signature, numbered 54/200, 270 x 140mm (10 1/2 x 5 1/2in)
|
£2,640
€3,080
US$ 3,986
|
|
94
|
Salvador Dali (Spanish, 1904-1989) Much Ado About Shakespeare Five drypoint etchings, 1970, from the series of sixteen, printed in colours, on japan, with full margins, entitled 'Richard III, Richard II, King John, Timon of Athens, Henry V', each signed and numbered 6/250 in pencil, printed by Ateliers Rigal, published by Editions Graphiques Internationales, Paris, 175 x 125mm (6 5/6 x 4 5/6in)(PL)(5)
|
£1,440
€1,680
US$ 2,174
|
|
98
|
Joan Miró (Spanish, 1893-1983) Soleil et vent Aquatint in colours, 1962, on Rives, signed in pencil, from an edition of 75, printed by Maeght and Levallois-Perret, published by Maeght Editeur, 585 x 315mm (23 x 12 3/8in)(I)
|
£3,000
€3,500
US$ 4,529
|
|
101
|
Maurits Cornelis Escher (Dutch, 1898-1972) Order and Chaos I Lithograph, 1950, on smooth, cream paper, signed in pencil, a proof, aside from the numbered edition of 43, 280 x 280mm (11 x 11in)(I), 360 x 374mm (14 1/8 x 14 3/4in)(SH)
|
£5,400
€6,301
US$ 8,153
|
|
103
|
Alberto Giacometti (Swiss, 1901-1966) Rue d'Alésia lithograph in colours, 1954, on wove, signed and numbered 60/200 in pencil, 740 x 530mm (29 1/4 x 21 1/2in)(SH)
|
£3,360
€3,920
US$ 5,073
|
|
105
|
Bernard Buffet (French, 1928-1999) Le Thonier Drypoint, 1980, on BFK Rives, inscribed in pencil E.A XXVII/XXX, an artist's proof aside from the edition of 150, 470 x 625mm (18 1/2 x 24 5/8in)(PL)
|
£1,200
€1,400
US$ 1,811
|
|
106
|
A Collection Modern Continental Prints Including works by Sugai, Ortega, Turcios and various other unidentified hands, in a variety of printed media, largely published by L'Oeuvre Gravee, with their blindstamp. 15 unframed
|
£720
€840
US$ 1,087
|
|
107
|
Roberto Sébastian Matta (Chilean, 1911-2002) 5 Lithographies The set of 5 lithographs in colours, 1976-77, on japan nacre, signed and numbered XII/L in pencil, (there is also an edition of 100 on Arches), with the title page, printed by Mourlot, Paris, loose within blue linen-covered folio cover, 755 x 540mm (29 3/4 x 21 1/4in)(SH) 5 Folio
|
£960
€1,120
US$ 1,449
|
|
108
|
Niki de Saint Phalle (French, 1930-2002) Collection Screenprints, each signed in pen or pencil, numbered as detailed, comprising the titles - "My Love we wont sleep together in the same bed anymore", 5/75, "My Love what shall I do if you die?" 87/100; "Dear Diana..." 90/150; "Sweet sexy Clarice" 65/65; "What do you like the most about me?" 14/75 and "Why don't you like me?" 23/100. 6 unframed
|
£2,160
€2,520
US$ 3,261
|
|
109
|
John Piper (British, 1903-1992) Nursery Frieze I Autolithograph, 1936, printed in colours, on machine made lithographic cartridge paper, unsigned as published from an unspecified edition, printed by Waterlow & Sons, published by Contemporary Lithographs, 460 x 1214mm (18 1/8 x 47 3/4in)(I)
|
£6,000
€7,001
US$ 9,059
|
|
110
|
John Piper (British, 1903-1992) Near Newcastle Emlyn, Cardigan Screenprint in colours, 1968, on J.Green paper, signed in black crayon, numbered 50/70 in pencil, printed by Kelpra Studio, with their stamp verso, published by Marlborough Fine Art, 435 x 630mm (17 1/8 x 24 7/8in)(I)
|
£1,440
€1,680
US$ 2,174
|
|
111
|
John Piper (British, 1903-1992) St Simon de Pelouaille, Charente Screenprint in colours, 1968, on J.Green, numbered 47/70 in pencil, signed in yellow crayon lower left, printed by Kelpra Studio, published by Marlborough Fine Art, 565 x 785mm (22 1/4 x 30 7/8in)(I) unframed
|
£960
€1,120
US$ 1,449
|
|
112
|
John Piper (British, 1903-1992) Wymondham, Norfolk Screenprint in colours, 1981, on Arches, signed and inscribed 'AP' in pencil, a proof aside from the edition of 70, printed by Kelpra Studio, published by Marlborough Fine Art, 555 x 765mm (21 7/8 x 30 1/8in)(I)
|
£1,560
€1,820
US$ 2,355
|
|
114
|
Henry Moore (British, 1898-1986) Standing and Reclining Figures Lithograph in colours, 1950, on wove signed and numbered 5/50 in pencil, printed by WS Cowell Ltd, published by School Prints Ltd, London, 290 x 235mm (11 3/8 x 9 1/4in)(I)
|
£1,560
€1,820
US$ 2,355
|
|
116
|
Graham Sutherland O.M. (British, 1903-1980) Lion Lithograph in black, 1968, on wove, signed and inscribed 'Example Proof' in pencil in lower margin, aside from the edition of 70 (there were also 10 artist's proofs), printed by Mourlot, Paris, published by Marlborough Fine Art, 640 x 492mm (25 2/8 x 19 3/8in)(I)
|
£540
€630
US$ 815
|
|
117
|
William Scott R.A. (British, 1913-1989) Composition Lithograph, 1982, printed in colours, on wove, signed, dated and inscribed H.C. in pencil, included in Thirty-five artists by the R.C.A., 500 x 650mm (19 3/4 x 25 1/2in)(I) unframed
|
£3,240
€3,780
US$ 4,892
|
|
118
|
Ben Nicholson (British, 1894-1982) Single Form Etching, 1969, on hand made paper, with wide margins, signed, dated and numbered 47/50 in pencil, 312 x 390mm (12 1/4 x 15 1/3in)(PL) unframed
|
£2,520
€2,940
US$ 3,804
|
|
119
|
Ben Nicholson (British, 1894-1982) Five Circles Woodcut, 1934/62, on wove, signed, dated in pencil, a proof aside from the edition of 300, reprinted by Kestner Gesellschaft, Hanover, 156 x 199mm (6 1/4 x 7 3/4in)(I)
|
£1,500
€1,750
US$ 2,264
|
|
120
|
William Scott R.A. (British, 1913-1989) Barra Lithograph in colours, 1962, on wove, signed, dated and numbered 14/75 in pencil, printed at Curwen Studio, published by Curwen Prints, 500 x 595mm (19 6/8 x 23 3/8in)(I)
|
£1,200
€1,400
US$ 1,811
|
|
121
|
Patrick Heron (British, 1920-1999) Composition Screenprint in colours, 1973, on wove, the full sheet, signed, dated and numbered 64/72 in pencil, printed by Kelpra, with their stamp verso, 585 x 805mm (23 x 31 5/8in)(I) unframed
|
£1,200
€1,400
US$ 1,811
|
|
123
|
Patrick Heron (British, 1920-1999) Untitled Screenprint in colours, 1970, on wove, signed, dated and numbered 74/100 in pencil, 590 x 780mm (23 1/4 x 30 3/4in)(I)
|
£1,200
€1,400
US$ 1,811
|
|
125
|
Sir Terry Frost R.A. (British, 1915-2003) Trewellard Suns III Linocut in colours with extensive handcolouring in green and blue watercolour, 1989, on wove, signed, dated and inscribed AP V, aside from the edition of 40, printed by Vivien Hendry, London, published by the Paragon Press, London, 640 x 654mm (25 1/4 x 25 1/2in)(SH)
|
£960
€1,120
US$ 1,449
|
|
126
|
Sir Terry Frost R.A. (British, 1915-2003) Centre Blue Screenprint and collage, 2003, on wove, signed, titled and inscribed 'AP' in pencil, aside from the edition of 60, printed at Coriander Studio, published by CCA Galleries and Coriander Studio, London, 750 x 1025mm (29 1/2 x 40 3/8in)(I)
|
£1,560
€1,820
US$ 2,355
|
|
127
|
Sir Terry Frost R.A. (British, 1915-2003) Orange and Blue Q Newlyn Screenprint in colours, 1997, on Arches, signed and numbered XVII/XX in pencil, a proof aside from the edition of 150, printed by Coriander Studio, London, published by CCA Galleries, Tilford, 648 x 635mm (25 1/2 x 25in)(SH)
|
£1,020
€1,190
US$ 1,540
|
|
128
|
Sir Terry Frost R.A. (British, 1915-2003) Newlyn Blue Q Screenprint in colours, 1995, on Arches, signed and numbered 124/125 in pencil, printed at Coriander Studio, London, published by Flowers Graphics, London, 850 x 850mm (34 x 34in)(SH)
|
£2,280
€2,660
US$ 3,442
|
|
130
|
Sir Terry Frost R.A. (British, 1915-2003) Green and Black Q Screenprint in colours, 1997, on wove, signed and numbered 16/125 in pencil, printed at Coriander Studio, London, published by Sims Gallery, St Ives, 740 x 540mm (29 1/4 x 21 1/4in)(SH)
|
£780
€910
US$ 1,177
|
|
132
|
Sir Terry Frost, R.A. (British, 1915-2003) Spring Spiral Screenprint in colours, 1995, on Arches, signed, titled and numbered 23/125 in pencil, printed at Coriander Studio, published at Coriander Studio and Flowers Graphics, London, 725 x 720mm (28 1/2 x 28 3/8in)(I)
|
£840
€980
US$ 1,268
|
|
133
|
Sir Terry Frost R.A. (British, 1915-2003) Lizard Black Screenprint in colours, 1995, on Arches, signed, titled and numbered 68/75 in pencil, printed and published by Coriander Studio, London, 910 x 955mm (35 3/4 x 37 1/2in)(SH)
|
£1,620
€1,890
US$ 2,446
|
|
138
|
Piet Mondrian (Dutch, 1872-1944) Victory Boogie Woogie Screenprint in colours, 1957, on wove, published by Éditions Galerie Denise René, Paris, with full margins, 390 x 390mm (15 1/4 x 15 1/4in)(I) unframed
|
£1,200
€1,400
US$ 1,811
|
|
139
|
Bridget Riley (British, born 1931) Elongated Triangles I Silkscreen, 1970, printed in colours, on wove, signed, dated and numbered 33/75 in pencil, printed by Kelpra Studio, London, 965 x 305mm (380 x 12in)(I)
|
£3,120
€3,640
US$ 4,710
|
