Bonhams 1793 : Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Descent from the Cross: Second Plate Etching, 1633, a clean impression of the fifth and final state, on wove, 520 x 405mm (20 1/2 x 16in)(SH) unframed

Bonhams

Bonhams magazines

Advanced search

Valuation events

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Descent from the Cross: Second Plate Etching, 1633, a clean impression of the fifth and final state, on wove; 520 x 405mm (20 1/2 x 16in)(SH) unframed

13 Jul 2010 14:00 BST London, New Bond Street
Prints
Back to auction 17832

Rembrandt Harmensz van Rijn (Dutch, 1606-1669)

Descent from the Cross: Second Plate (Bartsch 81)
Etching, 1633, a clean impression of the fifth and final state, on wove, 520 x 405mm (20 1/2 x 16in)(SH) (unframed)

Sold for £4,200 inc. premium

Category: Fine Art / Prints

Auction terms and conditions

Send to a friend

Print friendly version

Flag as favourite

Lot symbols

*	Import low rate

Similar items

Future Past

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Adoration of the Shepherds: With the Lamp Etching, 1654, a good impression of the first state, with the white flaw upper right due to failure in biting, on watermarked laid, 105 x 129mm (4 1/8 x 5 1/8in)(PL) unframed

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Bust of an old bearded man, looking down, three quarters right Etching, 1631, a good impression of the second state before the reduction of the plate on the right, on laid, 119 x 117mm (4 3/4 x 4 5/8in)(PL) unframed

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Death of the Virgin Etching, 1639, White and Boon's final third state (Nowell-Usticke's fourth state of five), with fine shading on the bedpost, on thick laid, with an 'IHS' within a flower watermark, trimmed inside lower platemark, with small margins elsewhere, 403 x 313mm (15 7/8 x 12 3/8in)(PL)

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Raising of Lazarus: Small Plate Etching, 1642, first state, with Lazarus' forehead unshaded, on laid, 150 x 114mm (5 7/8 x 4 1/2in)(PL) unframed

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) The Hundred Guilder Print (Christ healing the sick) Etching, 1649, Nowell-Usticke's fifth state, after the Watelet retouch, with fine shading and some rust spotting on the man's robe on the left, with some very fine pen and ink additions such as the hair of the old man to the left of Christ and the hair of the woman with the baby on the left, much wear in the plate, on wove, with thread margins, 278 x 388mm (10 7/8 x 15 1/4in)(PL) unframed

Rembrandt Harmensz van Rijn (Dutch, 1606-1669) Medea: or The Marriage of Jason and Creusa Etching, 1648, the final fifth state, with Juno's cap replaced with a crown and the lower part of the margin cut away and the verses and signature removed, on wove, 235 x 177mm (9 1/4 x 6 7/8in)(PL)

12